(Again, see Chapter 6 for a lengthier discussion of the major scale.) One major scale may share as many as six pitches with another, as we saw in Example 8–3, but not all. The melody sounds the same, only higher:Įach major scale contains a distinct set of seven pitch classes. The following example transposes it (rewrites it at a different pitch level) to E major by raising each note up two whole steps, putting E in the most stable position. The melody from Example 8–3 can be written in any major key. Because the pitch class C is the most stable-sounding pitch in the melody, Example 8–3 is in the key of C major. Whenever F appears, on the other hand, it is given a shorter note-value, and is always within a descending stepwise passage toward C. The excerpt begins and ends on C, and C holds a prominent position at the end of m. Simply looking at the melody, we can see that C occupies a more stable position than the pitch class F. It is likely that you heard the pitch C as having greater stability. Listen to the melody again and consider which pitch, C or F, sounds more stable-in other words, which pitch sounds more restful, more like a musical destination and less like an attraction along the way. ![]() To determine the key of this melody-C major or F major-we need to decide which note sounds most like the tonic. But all of these pitches also belong to the F major scale (F, G, A, B b, C, D, and E). This is a very good indication that this melody is in the key of C major. All of these pitches belong to the C major scale (C, D, E, F, G, A, and B). If you are playing on a mobile device, you may need to ensure the ringer is set to on.As you can see, this melody uses the pitches C, D, E, F, G, and A. Note that some browsers including the desktop version of Safari will not play this, so please see the MP3 audio below. The audio is available beneath the score. Here is the music score for two octaves of the Gb Major scale, with the right hand starting on the Gb below Middle C and the left hand starting on the Gb an octave below that. This works well for two and four octave scales. Sometimes scales are played with a slight accent on every fourth note. Ensure the scale maintains a regular rhythm. Start slowly, concentrating on fingering and playing each pair of notes at the same time, and gradually build up the speed. Scales are generally played with the hands one octave - that is, eight white notes - apart. There’s no particular trick to this - it just takes time to get used to it. ![]() Once you’ve practiced both hands separately, it’s time to play the two hands simultaneously. Should you be playing more than one octave, continue the sequence thus: 2, 1, 2, 3, 1, 2, 3, 4, 1, 2, 3, 1, 2, 3, 4… and finishing on a final 4. To play the descending one octave Gb Major scale, reverse the sequence thus: 2, 1, 2, 3, 1, 2, 3, 4. Should you wish to play more than one octave, simply repeat the sequence, thus: 4, 3, 2, 1, 3, 2, 1, 4, 3, 2, 1, 4, 3, 2, 1, 3, 2, 1… and always finish on ‘2’ The ascending one octave Gb Major scale is most easily played by the left hand with the fingering 4, 3, 2, 1, 3, 2, 1, 4 Should you be playing more than one octave, repeat the sequence from thumb ‘1’, thus: 2, 1, 3, 2, 1, 4, 3, 2, 1, 3, 2, 1, 4, 3, 2 and always finishing on a 2 for the final note. To play the descending one octave Gb Major scale, reverse the sequence thus: 2, 1, 3, 2, 1, 4, 3, 2. Should you wish to play more than one octave, simply continue with a ‘1’ after the ‘4’ and repeat the sequence, thus: 2, 3, 4, 1, 2, 3, 1, 2, 3, 4, 1, 2, 3, 1, 2… and finish on a ‘2’ The ascending one octave Gb Major scale is most easily played by the right hand with the fingering 2, 3, 4, 1, 2, 3, 1, 2 Left and right hands fingering for Gb Major scale Right Hand Playing
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